Khara Kagon

Khara Kagon
Khara of the Black Waltz
Gender	Female
Race	Au Ra
Clan	Xaela
Citizenship	Ul'dah
Place of Birth	The Nhaama Desert
Guardian	Menphina, the Lover
Nameday	17th Sun of the 1st Umbral Moon (Age: Unknown)
Occupation	Black Mage
Pronunciation	"ḤA-ra Ka-GON"

Khara Kagon is a member of the Kagon Tribe of Auri Xaela living in exile. A devout udgan of the Dusk Mother Nhaama and gifted thaumaturge, Khara took an active role in attempting to ward off the advances of the Dotharl tribe.

Under the advice of a mysterious figure clad in a black cloak and mask, she attempted to summon creatures of the void to slaughter her enemies, going so far as to desecrate the dead in her efforts. Ultimately, she lost control of these creatures, resulting in the deaths of several of her own tribesmen.

For her transgressions, Khara was stripped and exiled, forced to walk the desert sands in the light of the sun. Khara survived, however, and eventually found her way to Eorzea. There, she discovered a soul crystal that would allow her to unlock the destructive magicks of Mhach. Now she intends to use her art to both subjugate and combat voidsent, and to garner sufficient magical power to avenge herself against the shadowless figures known as Ascians.

Appearance

"Mmmm... I've got you right where I want you. And I'm never going to let go."
—Khara Kagon

Even compared to the diminutive frames and statures of the average Auri female, Khara is a short, waifish woman. She has youthful features with scarcely a stray line or wrinkle on her soft, pale face. Though slender, her figure noticeably flares at the hips. The distinctive dark blue scales of the Xaela tribe cover her body around her collarbone, cheeks, forehead, hips, biceps, calves, and the backs of her hands. A long, scaly, blue tail extends from above her round rear, three spines protruding near the base. A pair of large, aural horns extend from the sides of her head.

Like most members of the Kagon tribe, Khara's skin is uncharacteristically pale despite the desert environment from which she hails, owing to the clan's religious practice of never walking in the light of day. Large, bright, yellow eyes stare at her surroundings, often going long periods without blinking. Unlike most Au Ra, her limbal rings are pitch black; they absorb light rather than reflect it and do not glow.

The Au Ra's lips glisten with dark blue lipstick. Sharply clawed nails extend from her slender fingers, giving her a vicious appearance. Her short hair is a dark, shiny midnight blue, matching her lips and nails, as well as the majority of her wardrobe. The frontal fringe is cut straight at brow-level, and her sidelocks fall to shoulder-length, ending in points. Her hair is soft to the touch and seems to be well-washed.

Outfits Casual Wear: Despite hailing from a nocturnal tribe, Khara is an insomniac and is typically as active during the day as she is at night. From roughly the sixth bell to the eighteenth bell of any given sun, she cloaks herself in clothes that conceal her entire body from head to toe. At night, she prefers far more casual, often revealing clothing including a taffeta shawl, a bluefly yukata, a gryphonskin breastguard and pantalettes, or a Far Eastern togi. By her varied wardrobe, it's clear that she has an eye for fashion and takes great pride in her appearance. In fact, Khara takes great pride in herself as a servant of the Dusk Mother and an accomplished black mage. It was pride in her intelligence and her ambitious nature that led to her past disgrace. Sorcerer's Attire and Unfinished Stardust Rod: This set of Sorcerer's Attire was purchased from Rowena's House of Splendors. Khara bartered for her garments, trading them to Kakalan the Diamond Forge of Rowena's House of Splendors in exchange for antique armors she acquired during her travels. This vintage raiment is a design based on the Wizard's Attire worn by the black mages of Mhach. Khara favors this attire, as it provides full protection from the sun during the day. As her religion forbids her from walking in the sun, the design of the petasos is, in her opinion, truly a blessing. Faithfully recreated, the vanya silk and cashmere fleece of the garments are further reinforced with saurian and alchemically-treated hippogryph leathers. The garb is shot through with hex-spun mythril, an innovation that gives away this seemingly-innocent piece of clothing as the invest for summoning creatures from the void—that otherworldly plane which makes sport of the sanity of man. The stave Khara wields bears the distinct appearance of a legendary Stardust Rod, much like those crafted by the sorceress Shatotto during the Fifth Astral Era. Though it lacks the glow of its legendary counterpart, it is no less dangerous a weapon in the hands of a mistress of the black. Using a darksteel scepter infused with materia base, Khara's stave was shaped using the mineral alumina procured from the belly of a chimera. At its core is a true Stardust Rod, albeit one ravaged by three millennia in the Yafaem Saltmoor. The sorcerous staff was fashioned from remnants of a star ripped from its course by destructive magic. Death's Handmaiden was one of Shatotto's epithets, and despite the ravages of age, her relics live up to that dark reputation.

Basic Info Date of Birth: 17th Sun of the 1st Umbral Moon, Year Unknown, Sixth Astral Era Height: Short (4'9") Weight: Skinny (88 Ponze) Complexion: Pale Hair: Short, Bobbed, Dark Blue Eyes: Yellow, the left eye is a lighter shade and lacks a limbal ring. Particular Traits: Rarely blinks. Large canine teeth. Fulm-long tongue. Clawed fingernails and toenails. Burn scars on back. Voice: Soft, sultry, seductive. Clothing Style: Covered completely during daylight; casual or revealing clothing at night. Laterality: Left-Handed

Preferences

Likes ■ Prayer and religious rites. ■ Practicing magecraft. ■ Singing and dancing. ■ Learning new skills. ■ Flirting. ■ Scaring people. ■ Cold, windy nights. ■ Dark, cool, dry places. ■ Caverns and basements. ■ Bitter foods.

Dislikes ■ Sunlight. ■ Hot, humid places. ■ Disrespect and mockery. ■ Sour foods. ■ Being caught in a lie. ■ The Oronir and Dotharl tribes. ■ Ishgardians. ■ Voidsent summoners. ■ Ascians.

Favorites ■ Food: Boodog ■ Drink: Suutei tsai ■ Colours: Midnight Blue ■ Place: Lake Silvertear ■ Festival: All Saints' Wake

Other ■ Alignment: Chaotic Neutral ■ Vices: Lying, Promiscuity ■ Religion: Nhaama, the Dusk Mother ■ Goal: Unknown.

Personality

Flaws ■ Pride ■ Vanity ■ Lust ■ Lack of Empathy

Fears ■ Death ■ Sunlight

Talents ■ Innately gifted in thaumaturgy. ■ Able to lie without a physical tell. ■ Beautiful singing voice. ■ Able to learn languages at an impressive speed.

Tropes ■ Consummate Liar ■ Creepy Good ■ Cute Little Fangs ■ Dark Is Not Evil ■ Dissonant Serenity ■ The Hedonist ■ Nightmare Fetishist ■ Overly Long Tongue ■ Lack of Empathy ■ Lady of Black Magic ■ Nun Too Holy ■ The Penance ■ Too Kinky to Torture ■ Vain Sorceress ■ Well-Intentioned Extremist

Intelligence Khara is a swift learner and taught herself to speak the common tongue, and read and write in Eorzean script.

Quirks Khara often goes long periods without sleep, and seldom blinks her large, yellow eyes. She has a habit of licking her lips and humming before speaking. Additionally, she uses nosisms (referring to herself as "we," "us," or "our") and refers to others in the third person ("he," "she," or "it") rather than using second person pronouns.

Comparisons Final Fantasy Characters: Ultimecia Other Game Characters: Midna (The Legend of Zelda), Tharja (Fire Emblem), Rhajat (Fire Emblem) Anime Characters: Caster (Fate/stay Night)

Abilities and Skills

Personal ■ Skilled at aetherial manipulation. ■ Fast learner, adaptive.

Weapons ■ Thaumaturge's Arms

Magic ■ Thaumaturgy ■ Black Magic

Crafting ■ Alchemy

Family and Relationships

Family ■ Kagon Tribe

Friends and Acquaintances ■

Enemies ■ Ascians ■ Lambs of Dalamud ■ Voidsent

Affiliations

■ None

Rumors

Note: This section is editable by anyone. Just keep in mind that the rumors here may be both true or false.

Biography

Early Life

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Khara hails from the Nhaama Desert on the continent of Othard.

Born in the desolate Nhaama Desert located to the west of the fertile Azim Steppe, Khara would never know the man who sired her, nor the woman who bore her, both perishing ere their child formed her first memory. Instead, she was taken in by the udgan of the Kagon tribe, who would become as a grandmother to the girl.

Even from a young age, Khara showed the spark for magic, and used her gift for manipulating aether to play mischievous pranks upon other children. This habit grew from loneliness, and a desire for the attentions of her peers, yet only served to further isolate her as weird and abnormal.

Regardless, Khara grew under the nuturing tutelage of her guardian, memorizing the oral traditions and histories of the Dusk Mother, Nhaama. She learned to perform rites for birth, marriage, and death, and used her gifts in magic to spread word of her goddess as a vessel for her.

Khara was still young when her "emee" passed away, succeeding her as the tribe's new udgan. Her talent and knowledge attained the attention she'd so desperately craved, and helped fill the void left by her beloved mentor. Those within the tribe even said she was "beloved by the moon" for her flawless pale skin and hair as blue-black as her scales and the night's sky.

Exile

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What Khara believed to be black tngri were, in fact, creatures of the void.

Shortly after Khara came of age, the Kagon tribe entered a conflict with the Dotharl tribe. Attacked by Dotharli warriors seeking to lay claim to the oasis in which they'd camped, they quickly lost numerous tribesmen in their raids. Khara struggled with the increasing need for funerary rites.

When all her magical boons and potions had failed and she could do naught but pray to her Mother for salvation, she was approached by a foreigner. While initially hesitant to trust this masked man, who recognized her gift for magic, he spoke of a way to deliver her people, and she soon hearkened to his words.

Through specific rites involving blood and the corpses of her fallen tribesmen, he explained, she could summon forth beings of incredible power. Khara first identified these creatures with "tngri," divinities known to come in two varieties: the benevolent white and the terrifying black. Those who summon one can never summon the other, as one who summoned the white would fear losing their favor, and one who summoned the black would anger the malevolent spirits.

Though she thought these to be the latter, she accepted the dangers that they might protect the Kagon from the evils of the Dotharl and secure victory in their war. Not only was she certain of her abilities as an udgan, she aspired to a position of greatness, and the power that such creatures could give her appealed to her. So obvious were her weaknesses, her vanity, her lust for power, that she was simple for the Ascian to manipulate.

On the night of a blood moon, forty and four "tngri" of various kinds arose from the bodies and body parts of dead Kagon tribesmen, their fallen mounts, and members of their herd slaughtered by the udgan at Khara's summons. Fell ahrimans and succubi, horrific soulflayers and taurii, dreaded anchag and arch demons, a cavalcade of voidsent flooded into the desert and descended upon the battlefield.

But Khara made a grave miscalculation. Though she indeed summoned the Voidsent into the world, and they attacked the Dotharli warriors, once the enemy retreated from the battlefield the monsters set their sights on the Kagon tribe. Freed of their mistress's control, they slaughtered even more of her own than the Dotharl.

For bells on end, the fighting continued until, at last, the Kagon stood beaten yet victorious upon the ruined and bloodied sands of their once-beautiful, moonlit oasis. As dawn drew nearer, Khara was brought before her tribe's khan to answer for defiling the corpses of her tribesmen and summoning hells-spawned creatures responsible for the deaths of her own.

Khara could do naught but beg forgiveness and mercy, to plead for her life on hands and knees. It was decreed that she would no longer have a place among her tribe. Her ceremonial robes were stripped from her body, and she was forced to walk bare out into the east, where the rising sun would forever mark her as evil.

Arrzaneth Ossuary

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Hiding her appearance, Khara lived as a beggar in Ul'dah.

For the young exile, the sun would prove as merciless an enemy as Azim to Nhaama. Her exposed skin burned and blistered, but she could not stop until she reached the desert's end. Ultimately, as she neared Nhaama's Retreat, she succumbed to heat stroke, hallucinating until she passed out on the sands.

Fortune would smile upon Khara, however. She was discovered by a group of Xaela refugees fleeing Garlean occupation. Cloaked once more, they helped nurse the wounded woman back to health. Khara joined them on their journey, a flight from Othard to the relative safety of Aldenard. Ashamed of her hideous burn scars, Khara even donned her full robes at night.

Five years of travel passed, and the refugees arrived in Aldenard at last. They found the fields of Coerthas to their liking, only to be attacked by ignorant Ishgardians who mistook them for the progeny of dragons. Khara fled during the massacre to follow, forced from the highlands and seeking refuge elsewhere.

Heading south, the udgan traveled through the once-beautiful lands of Mor Dhona, now a crystalline wasteland in the wake of the Battle of Silvertear Skies only a small time prior. The foreigner, who knew little of these lands, wondered what had happened. Here, she witnessed a meteor shower, and all at once a vision of the battle came to her of the fateful battle between Midgardsormr and the Agrius. Though she did not realize it, she had awakened to the Echo, and the small, light blue crystal she obtained was proof.

In the company of surviving refugees from Mor Dhona, Khara came to the sultanate of Ul'dah. She liked Thanalan, partially for its resemblance to her former home, and partially because of how unlike any civilization she had known before it was. And yet she found herself a beggar on the streets, concealing her horns, scales, and tail in response to fearful looks and pejorative jeers from the local smallfolk.

Khara persevered, however. Though she did not speak the common tongue, and she could not read or write, she soon learned enough to gain employment with Azzraneth Ossuary. For many moons, she delivered corpses in need of funerary rites to the Ossuary from around Thanalan, or disposed of the corpses of those too poor to pay for such treatment.

This paltry amount of gil would sustain Khara, but nothing more. Education would be the key to her salvation, she decided, and so she began to study the Eorzean language through the tomes of thaumaturgy in the Ossuary. She practiced her speech, painstakingly working to communicate, and even devised the spelling of her own name.

In time, Khara became fluent and earned the notice of the guildmaster, Mumuepo, for her skill in memorizing and practicing the thaumaturgy she studied. He offered her a higher position; no longer a corpse-gatherer, she would become a full member of the Thaumaturges' Guild and enlist as an adventurer that she might take on more important tasks.

Primarily, Khara was tasked with "vengeance orders," in which she would eliminate the creature or person responsible for the death of a wealthy patron of the Order of Nald'thal. Despite not believing in the Twelve, she liked the concept of accepting sin unto herself that another might pass onto the afterlife unburdened. She also performed tasks for the Alchemists' Guild at Frondale's Phrontistery, making use of her medicinal knowledge from her time as the Kagon tribe's udgan.

Taking the Black

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The Soul of the Black Mage imbues Khara with knowledge of powerful, destructive magicks.

Shadow of Mhach

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Khara ventured aboard the Void Ark alongside fellow adventurers.

Name Etymology Khara: A Mongolian female name meaning "black". Nicknames ■ Khara of the Black Waltz Current Residence Transient Gallery