Difference between revisions of "Sokhani Uulzkhir"
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+ | <!-- HEADER AND NAME --> | ||
<div align=center style="width:100%;"> | <div align=center style="width:100%;"> | ||
<table style="position:center; width:55%;"> | <table style="position:center; width:55%;"> | ||
− | + | <tr> | |
− | + | <td> | |
− | + | <div align=center>[[File:SokhaniProfileHeader.png]]</div> | |
− | + | <div align=center> | |
− | + | <table style="position:center;"> | |
− | + | <tr> | |
− | + | <td style="vertical-align: top; font-size:9pt;font-family:Helvetica;"> | |
− | + | <h3> | |
− | + | <span class="mw-headline"> | |
− | + | <div align=center> | |
− | + | <div style="font-size:40px;letter-spacing:0.2em;color:#512000;font-family:Georgia;text-shadow: 1px 1px 5px silver">SOKHANI</div> | |
− | + | </div> | |
− | + | <div align=center> | |
− | + | <div style="font-size:18px;letter-spacing:0.75em;color:#FFA466;font-family:Georgia;text-shadow: 1px 1px 5px silver;">I Am The Earthen Serpent</div> | |
− | + | </div> | |
− | + | </span> | |
− | + | </h3> | |
− | + | </td> | |
− | + | </tr> | |
− | + | </table> | |
− | + | </div> | |
− | + | ||
− | + | <!-- VITAL INFORMATION --> | |
− | + | <div align=center> | |
− | + | <table style="position:center; width:100%"> | |
− | + | <tr> | |
− | + | <td style="vertical-align: top; width:50%; font-size:9pt;font-family:Helvetica;"> | |
− | + | <h3> | |
− | + | <span class="mw-headline"> | |
− | + | <div style="padding:10px 35px; background: #512000;font-size:14px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;letter-spacing:0.15em;"> | |
− | + | <center>'''VITAL INFORMATION'''</center> | |
− | + | </div> | |
− | + | </span> | |
− | + | </h3> | |
− | + | <br/> | |
− | + | ||
+ | <!-- PRONUNCIATION --> | ||
+ | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | ||
+ | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''PRONUNCIATION...'''</font> | ||
+ | <font style="font-family:Georgia;"> So-han-ee.</font> | ||
+ | |||
+ | <!-- NICKNAMES --> | ||
+ | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | ||
+ | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''NICKNAMES...'''</font> | ||
+ | <font style="font-family:Georgia;"> Sokha, Khani, Crank-y, Slowkha. </font> | ||
+ | |||
+ | <!-- RACE --> | ||
+ | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | ||
+ | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''RACE...'''</font> | ||
+ | <font style="font-family:Georgia;"> Xaela. </font> | ||
− | + | <!-- GENDER --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''GENDER...'''</font> | |
+ | <font style="font-family:Georgia;"> Female. </font> | ||
− | + | <!-- AGE --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''AGE...'''</font> | |
+ | <font style="font-family:Georgia;">Twenty-seven.</font> | ||
− | + | <!-- ORIENTATION --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''ORIENTATION...'''</font> | |
+ | <font style="font-family:Georgia;padding:0px 5px;">Pansexual, Polyamorus.</font> | ||
− | + | <!-- RELATIONSHIP STATUS --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''MARITAL STATUS...'''</font> | |
+ | <font style="font-family:Georgia;padding:0px 5px;">In relationships.</font> | ||
− | + | <!-- OTHER STATISTICS --> | |
− | + | </td> | |
− | + | <td style="vertical-align: top; width:50%; font-size:9pt;font-family:Helvetica;"> | |
+ | <h3> | ||
+ | <span class="mw-headline"> | ||
+ | <div style="padding:10px 35px; background: #512000; font-size:14px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;letter-spacing:0.15em;"> | ||
+ | <center>'''OTHER STATISTICS'''</center> | ||
+ | </div> | ||
+ | </span> | ||
+ | </h3> | ||
+ | <br/> | ||
− | + | <!-- NATIONALITY --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''NATIONALITY...'''</font> | |
+ | <font style="font-family:Georgia;"> Othard, the Azim Steppe. </font> | ||
− | + | <!-- CLAN/TRIBE --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''TRIBE...'''</font> | |
− | + | <font style="font-family:Georgia;"> Of the Uulzkhir.</font> | |
− | |||
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− | + | <!-- RESIDENCE --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''RESIDENCE...'''</font> | |
+ | <font style="font-family:Georgia;">Ul'dah.</font> | ||
− | + | <!-- OCCUPATION --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''OCCUPATION...'''</font> | |
+ | <font style="font-family:Georgia;">Martial Arts Instructor.</font> | ||
− | + | <!-- HEIGHT AND WEIGHT --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''HEIGHT & WEIGHT...'''</font> | |
+ | <font style="font-family:Georgia;padding:0px 5px;">5 fulms, 7 ilms, 161 ponze.</font> | ||
− | + | <!-- ALIGNMENT --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''ALIGNMENT...'''</font> | |
+ | <font style="font-family:Georgia;">Chaotic Good.</font> | ||
− | + | <!-- VOICE CLAIM --> | |
− | + | <font style="padding:0px 5px; font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">❂</font> | |
− | + | <font style="font-size:12px;color:#512000;font-family:Georgia;letter-spacing:0.2em;text-shadow: 1px 1px 1px silver">'''VOICE...'''</font> | |
− | + | <font style="font-family:Georgia;">Example coming soon!</font> | |
− | + | </td> | |
− | + | </tr> | |
− | + | </table> | |
− | + | </div> | |
− | + | </td> | |
− | + | </tr> | |
− | |||
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</table> | </table> | ||
</div> | </div> | ||
+ | |||
+ | |||
__NOTOC__ | __NOTOC__ | ||
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|- | |- | ||
| colspan="8" style="vertical-align:top" | | | colspan="8" style="vertical-align:top" | | ||
− | =Character= | + | =Character= |
− | + | ||
− | + | <!-- APPEARANCE --> | |
− | + | <div id="top" align=center> | |
− | + | <table style="position:center;width:100%"> | |
− | + | <tr> | |
− | + | <td style="width:100%;"> | |
− | + | <div align=center> | |
− | + | <table style="position:center; width:100%"> | |
− | + | <tr> | |
− | + | <td style="vertical-align: top;"> | |
− | + | <h3> | |
− | + | <span class="mw-headline"> | |
− | + | <div align=center> | |
− | + | <div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;">'''APPEARANCE'''</div> | |
− | + | </div> | |
− | + | </span> | |
+ | </h3> | ||
+ | <div align=justify> | ||
[[File:Sokhani_tattoo.png|200px|thumb|right|Sokhani's sleeve tattoo.]] | [[File:Sokhani_tattoo.png|200px|thumb|right|Sokhani's sleeve tattoo.]] | ||
Sokhani is a tall, at least for an Auri woman, fighting sort. Her eyes are naturally slanted into a harsh glare and her lips thin. She gives off the appearance of an eternal scowl or harbors a heavy case of the grumpies with her already angular facial construction. Her chin, especially, leads a dagger-like point, and the warpaint she carefully applies every sun does not make her uncompromising look any softer. Her hair always remains perfectly straight and thick with a grayish coloration. What sorcery keeps it this way Sokhani could never say. It would seem a hue of green managed to make its way into a few segments of her hair as well, but she would refute this claim! It's all genetics, as they say.<br/> | Sokhani is a tall, at least for an Auri woman, fighting sort. Her eyes are naturally slanted into a harsh glare and her lips thin. She gives off the appearance of an eternal scowl or harbors a heavy case of the grumpies with her already angular facial construction. Her chin, especially, leads a dagger-like point, and the warpaint she carefully applies every sun does not make her uncompromising look any softer. Her hair always remains perfectly straight and thick with a grayish coloration. What sorcery keeps it this way Sokhani could never say. It would seem a hue of green managed to make its way into a few segments of her hair as well, but she would refute this claim! It's all genetics, as they say.<br/> | ||
− | The woman's attire changes from casual closed shirts and shorts to heavy leathers and training gear, but she is never without a earthy brown hue to her clothing. She favors the color along with golds and oranges. She is most often seen in training raiment with short to no sleeves and a secretive facial halfmask. The reason oft given for the mask is, mayhaps, already guessed. Her left eye is in a state of disrepair, and so she hides its likeliness away. Her arms are often covered by either | + | The woman's attire changes from casual closed shirts and shorts to heavy leathers and training gear, but she is never without a earthy brown hue to her clothing. She favors the color along with golds and oranges. She is most often seen in training raiment with short to no sleeves and a secretive facial halfmask. The reason oft given for the mask is, mayhaps, already guessed. Her left eye is in a state of disrepair, and so she hides its likeliness away. Her arms are often covered by either weighted forearm gauntlets, or brown strappings that contain earth aspected crystals. Sometimes she can be seen with two extravagant, gold laced jamadhars. She keeps these weapons polished and clean. Etched upon her eye is unmistakable pride in her gauntlets, crystals, or jamadhars-- should one question her about any of course. |
While her right arm bears no remarkable feature other than her pronounced, heavy muscle definition, the left can be seen covered entirely with a tattoo that, at first glance, may appear the same as her natural scales. This tattoo covers her arm from shoulder to wrist and it is described by Sokhani as a marking of her mastery. The mastery displayed can seen throughout her body, if it is ever laid bare. Her shoulders, upper arms, and forearms are all especially chiseled from constant use of weighted jamadhars and her newly acquired gauntlets. Her upper back and abdominal muscles showcase the same sort of build, though she still carries a slender trunk due to her racial distinction. Even with these developments, her body manages to remain compact and properly proportioned. Her training focuses entirely on keeping her upper body balanced with her lower and to keep muscles from interfering with what speed she has gained.<br/> | While her right arm bears no remarkable feature other than her pronounced, heavy muscle definition, the left can be seen covered entirely with a tattoo that, at first glance, may appear the same as her natural scales. This tattoo covers her arm from shoulder to wrist and it is described by Sokhani as a marking of her mastery. The mastery displayed can seen throughout her body, if it is ever laid bare. Her shoulders, upper arms, and forearms are all especially chiseled from constant use of weighted jamadhars and her newly acquired gauntlets. Her upper back and abdominal muscles showcase the same sort of build, though she still carries a slender trunk due to her racial distinction. Even with these developments, her body manages to remain compact and properly proportioned. Her training focuses entirely on keeping her upper body balanced with her lower and to keep muscles from interfering with what speed she has gained.<br/> | ||
− | The Au Ra also suffers | + | The Au Ra also suffers from increased scale growth. Her face, while heavily covered in the armor, is not ''too'' unusual. Her hands do, however, end up with scales that run past her knuckles and used to give her difficulty in making full fists. Several stray scales have also found themselves upon the flats of her digits, giving her hands an extremely rugged, talon-like look. The scales are not just for show either. Each scale on her arms, legs, and tail is formed of multiple teeth-like protrusions that flow upward. While trailing fingers from her wrist to shoulder, calf to ankle, or tail base to end will be met with no issue, doing so in reverse is quite dangerous. Most who do this will lose flesh within the first pass. The scales besides these carry a rather gritty texture, mostly harmless with the exception of a possible burning sensation should one rub against them, though they flow in much the same way otherwise. While Sokhani has taken to salving and moisturizing her toothed scales, it still leads to the Au Ra covering herself up as much as possible- giving her a feather light touch with friends and intimate ones in her life. |
<br/> | <br/> | ||
+ | </div> | ||
+ | |||
+ | <!-- DEMEANOR --> | ||
<br/> | <br/> | ||
− | + | <div align=center> | |
− | + | <div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;">'''DEMEANOR'''</div> | |
− | + | <div align=justify> | |
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By contrast to Sokhani's fierce appearance, her personality is quite soft-spoken and calculated. Due to difficulties in her younger summers, Sokhani speaks little and thinks more than acts. Her thinking may appear aloof and insensitive, but she's constantly considering her involvement and what it may bring. In most cases, she will consider herself a non-issue and will view her participation as unrequired. In group settings, Sokhani will carefully extract herself from the main conversation, or will take a backseat by force. When she sees friends within any predominant social establishment, like the Quicksand, she will approach only if they are alone or has their explicit permission to say hello. In some cases she will visit tribal gatherings, but her conversational prowess suffers the same issues as already spoken of. | By contrast to Sokhani's fierce appearance, her personality is quite soft-spoken and calculated. Due to difficulties in her younger summers, Sokhani speaks little and thinks more than acts. Her thinking may appear aloof and insensitive, but she's constantly considering her involvement and what it may bring. In most cases, she will consider herself a non-issue and will view her participation as unrequired. In group settings, Sokhani will carefully extract herself from the main conversation, or will take a backseat by force. When she sees friends within any predominant social establishment, like the Quicksand, she will approach only if they are alone or has their explicit permission to say hello. In some cases she will visit tribal gatherings, but her conversational prowess suffers the same issues as already spoken of. | ||
− | Speaking with Sokhani is also fraught with difficulty. She may be short of sentence regardless of if she speaks in her accented, | + | Speaking with Sokhani is also fraught with difficulty. She may be short of sentence regardless of if she speaks in her accented, occasionally stammering Eorzean, or in native Malqir-Xaelic tongue. It is not unusual for her to admit she has no further conversation to grant due to her lack of confidence. She will shy away from conversations she inherently will disagree with, and this is more due to her not wanting a negative impression. Debates with her may come the more friendly one becomes, and thankfully Sokhani is quick to call others friends. Progress usually occurs, but only for those who are patient and understanding. |
− | Once past all of her hang ups, Sokhani is a very spiritual and opinionated individual. She has a strict way of seeing life, strength, weakness, and emotional progress. While she's open to debate with many of her close friends and carefully considers their view points, she is quite rooted in her ways. Due to a life of mental abuse and oppression, she has a hard time viewing weakness in one's body. She was once weak and unable to walk for half a malm, and so she believes most anyone can follow in her footsteps. Life is sacred to her, and even those who may be of opposing merit are still granted respect. The only individuals not seen with respect are murderers, | + | Once past all of her hang ups, Sokhani is a very spiritual and opinionated individual. She has a strict way of seeing life, strength, weakness, and emotional progress. While she's open to debate with many of her close friends and carefully considers their view points, she is quite rooted in her ways. Due to a life of mental abuse and oppression, she has a hard time viewing weakness in one's body. She was once weak and unable to walk for half a malm, and so she believes most anyone can follow in her footsteps. Life is sacred to her, and even those who may be of opposing merit are still granted respect. The only individuals not seen with respect are murderers, hounds (this is described by her as those who blindly follow another's belief), and those who hurt weakened individuals. |
Deeper still, Sokhani has affection for those who practice martial arts of any degree. She does use this as an excuse to preach now and then, however. She views her body as a tool, and idealizes the perfect purpose for its use. Those who train their bodies to be weapons for a self-proclaimed greater good will quickly fall into debate with her. To Sokhani, a tool can grant life or death, but a weapon can only perform the latter. She believes that those who treat life with respect and ending it with great reluctance are the strongest individuals on this star. | Deeper still, Sokhani has affection for those who practice martial arts of any degree. She does use this as an excuse to preach now and then, however. She views her body as a tool, and idealizes the perfect purpose for its use. Those who train their bodies to be weapons for a self-proclaimed greater good will quickly fall into debate with her. To Sokhani, a tool can grant life or death, but a weapon can only perform the latter. She believes that those who treat life with respect and ending it with great reluctance are the strongest individuals on this star. | ||
+ | <br/> | ||
+ | </div> | ||
+ | </div> | ||
+ | </td> | ||
+ | </tr> | ||
+ | </table> | ||
+ | </div> | ||
+ | </td> | ||
+ | </tr> | ||
+ | </table> | ||
+ | </div> | ||
− | + | =History= | |
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− | + | <!-- HISTORY --> | |
<h3><span class="mw-headline" id="General"><div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''H I S T O R Y''' | <h3><span class="mw-headline" id="General"><div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''H I S T O R Y''' | ||
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Each story read here is full of information that can be used against this character in what is known as meta-gaming. If any of this information is found used without consent, or learned without IC reasonings, it will resort in me cutting all IC and OOC contact from you. Please understand this is a mere history of this character and for the enjoyment, or dislike of those who wish to peruse.</center></div></span></h3> | Each story read here is full of information that can be used against this character in what is known as meta-gaming. If any of this information is found used without consent, or learned without IC reasonings, it will resort in me cutting all IC and OOC contact from you. Please understand this is a mere history of this character and for the enjoyment, or dislike of those who wish to peruse.</center></div></span></h3> | ||
+ | <!-- STORY 1 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/u2POL2xFjp4 A | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/u2POL2xFjp4 A Girl Born in Beast's Flesh]</b></div> |
|- | |- | ||
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|} | |} | ||
+ | <!-- STORY 2 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/ | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/AQcLm-oPcl0 The Heart Full of Venom]</b></div> |
|- | |- | ||
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|} | |} | ||
+ | <!-- STORY 3 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
− | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/9wQ_BQHmV3A Upon the Last Vestige of Hope]</b></div> | |
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− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/9wQ_BQHmV3A | ||
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|} | |} | ||
+ | <!-- STORY 4 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/l1qczGHOqAo Within a Moonlit Eye]</b></div> | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/l1qczGHOqAo Within a Moonlit Eye]</b></div> | ||
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|} | |} | ||
+ | <!-- STORY 5 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/dgrFKM84KVo Star-crossed Wishes]</b></div> | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/dgrFKM84KVo Star-crossed Wishes]</b></div> | ||
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In Sokhani's feverish haste to heal Kharanai's wounded arm, she began to turn to more and more faces and more and more friends. Mulling over ideas with Kimiko and U'ami lead her to seek advice from the Ossuary in Ul'dah. While nothing could be said to her during her visit to the Order of Nald'thal, she did get the hints that what she sought for was not within the powers that Thaumaturges or Conjurers could grant. With that left one last order she could turn to. With more advice from Kimiko and U'ami on those of the Arcanist's Guild, Sokhani left with the pair for Limsa Lominsa. | In Sokhani's feverish haste to heal Kharanai's wounded arm, she began to turn to more and more faces and more and more friends. Mulling over ideas with Kimiko and U'ami lead her to seek advice from the Ossuary in Ul'dah. While nothing could be said to her during her visit to the Order of Nald'thal, she did get the hints that what she sought for was not within the powers that Thaumaturges or Conjurers could grant. With that left one last order she could turn to. With more advice from Kimiko and U'ami on those of the Arcanist's Guild, Sokhani left with the pair for Limsa Lominsa. | ||
+ | <!-- STORY 5-1 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/4Qq2U6W-NbY A Book That Speaks in Hands, Scrawls, and of | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/4Qq2U6W-NbY A Book That Speaks in Hands, Scrawls, and of No Characters in the Land]</b></div> |
|- | |- | ||
|- | |- | ||
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|} | |} | ||
+ | <!-- STORY 5.2 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/i2AH04KyA9U A Whispered Word to the North]</b></div> | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/i2AH04KyA9U A Whispered Word to the North]</b></div> | ||
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|} | |} | ||
+ | <!-- STORY 5.3 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[https://youtu.be/A1yJKilpaAI SO]-[https://youtu.be/jgInZivVMHQ KHA]-[https://youtu.be/YoEMaWrQBQM NI]]</b></div> | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[https://youtu.be/A1yJKilpaAI SO]-[https://youtu.be/jgInZivVMHQ KHA]-[https://youtu.be/YoEMaWrQBQM NI]]</b></div> | ||
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</div> | </div> | ||
|} | |} | ||
+ | |||
+ | <!-- STORY 6 --> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/ | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/D8LGZllK8ps The One Who Chases the Stars]</b></div> |
|- | |- | ||
|- | |- | ||
| <div style="font-family:Georgia; font-size:12px;"> | | <div style="font-family:Georgia; font-size:12px;"> | ||
− | After the | + | |
+ | After Sokhani's collective failure, growth, and acceptance from her altered aether, she attempted greatly to grow accustomed to what she now was. Able to dissect her own future, the paths it could provide her, the past that took her down these roads, and even how others may react to her choices, all were known to her in thousands upon millions of possibilities. Each choice changed her immediate future, and it was obvious she was quickly overwhelmed. Sokhani began to mistrust her memory, uncertain if it was her own or another Sokhani who may have made a different choice. Even worse was the inability to make physical contact without making an aetherial bond before long. The compounding issues grew too great, and the woman resolved to once again seek the black tome out. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | While it had vanished from her sight previously, she could still feel its presence northward. Twinkling fragments of what she could only imagine as aether continued to call to her, as if to beckon her towards a future she would need. After having her scales tended to by Yamabuki, Sokhani announced her intention to Qunbish. While the two ''never'' seem to see eye to eye on the matter, and this was no exception, it was eventually agreed that he would be present for her journey. Much time passed, and the vibrations continued to make themselves known to Sokhani. Each step she took was beginning to lead her to a future she could not manipulate. After an explosive spar with Adalhaid, she finally began to understand the nature of this unknown pathway, yet not what it could truly be. It was a door to a choice, yet she would never know what would await her. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | Sokhani, after making several excuses and delays due to fear of uncertain destiny, was still able to travel towards the central reaches of Coerthas. Adalhaid, Kharanai, Gyeil, and Srah traveled with her on foot, which certainly surprised her. She had expected the latter two to make their travel by other means, mayhaps mounted or through aetherial teleportation. Qunbish, on the other hand, was to meet with them the next sun with his own hunting party. The traveling group's place of rest was the Observatorium, and after a rather heated competition between Adalhaid and Sokhani over ale stew, all but Srah ended up passed out drunk. While Sokhani would never admit to it openly, these antics calmed her and granted her the rest she needed for the next sun. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | Waking up, performing her rituals to avoid a lasting headache, and limbering herself up for a long scout, Sokhani, Srah, and Kharanai departed the Observatorium in search of the beckoning feeling. Whilst they managed to find the location, they simply could not locate the path towards the aether's call. Sokhani and Srah gave up rather quickly due to a lack of key for an invisible doorway, though Kharanai remained out as if to find further possibility. It was after this Sokhani and the rest were lead to Qunbish's camp, granted some relief, Adalhaid food, and others some disagreements. Once Kharanai had returned from her scouting, and teased for the length of the endeavor, they all set out to find the doorway once again. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | Northward they traveled. Past Dragonhead's fortification, and towards the ruined Steel Vigils, they were to next head east towards further ruin. As Sokhani grew nearer to the location, she froze with fear. One further step forward and she'd be locked into a future without a foreseen end. Dragging her heels for a moment, Sokhani found the resolve to still chase this unknown fate. They came upon a derelict flight of stairs, though atop it was a door of Ishgardian make. Srah and Qunbish, able to see and sense aether, could feel its unnatural nature. Sokhani could feel the song of a future she did not know, and stepped through the doorway. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | As the rest of the group came, so too did the feeling of lingering, primal aether. Belief and fractured leylines was allowing this place to exist, though it was hard to say how it could be so in the first place. Maybe it was Sokhani's own absolute belief that this scene could ever unfold. Inside of the doorway was their original destination: the hallways of the ruined vigil that was unnamed to them. Yet, it was not ruined any longer, as if it were trapped hundreds of years in the past. At the end of their hall was once further door, and Sokhani opened it for all to meet someone she knew very well. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | Entering a small study, Sokhani was welcomed by an aged, yet somehow young, Elezen man by the name of Otreaux de Romeaux. His form was of moderate height for his race, his shoulder-length hair growing white strands was kept pulled backward. For as warm as he appeared, his true visage was that of an aetherial remnant. Wasting no time in his introduction, Otreaux, or the time's shade of the man, explained to Sokhani what all of this was. She now stood in a hallway he had created with his number of ten scholars, and he lived within the past to change the present. His time spent attempting had failed him, and he left behind the blackened tome for another to find. Sokhani's resulting answers here provoked profound thought within the aetherial man, and then elation. He was finally able to ascertain that the Sokhani before him was the one who chased stars, rather than a star who watched others walk. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | It was then that Sokhani desired to hold the tome once more, to learn what she needed and to grow more familiar with herself. Her desire to master herself rather than change it brought the end of the primal hallways, and the lingering will within them. Otreaux gingerly placed the tome to Sokhani's hands, bidding her farewell with familiarity that made the Auri monk vulnerable. In these parting moments, Sokhani felt as if she held a part of herself long lost, and spoke with a friend who had kept a dear promise to her. In their final words, Sokhani finally stepped past the uncertain future. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | “Every serpent must shed its skin and move onward. Each Sokhani has had a different ‘mantra’ as it were. ... What is the true Sokhani’s? Many have stated it, yet I wish to hear the one -you- provide.” | ||
+ | <br /> | ||
+ | <br /> | ||
+ | “I am the Earthen Serpent... I will never stop moving forward." | ||
+ | <br /> | ||
+ | <br /> | ||
+ | “That you are, and that you will.” | ||
+ | <br /> | ||
+ | <br /> | ||
+ | With that, the long lost bond was lost to the wind of aether. The man's body turned to amber scales and drifted off to nothingness. The book Sokhani held, once titled 'The Halls of Althyk, a Study of the Twelve,' was now titled, 'Those Who Chase the Stars.' It was not too long after the tome fell to scales as well, adding itself to Sokhani's aether as if it were never meant to be parted from it. An Earthen Serpent woke within the monk's chest, its eyes sharp, yet its gluttony sated. Sokhani's mind knew the methods to control her own nature now, as if she were meant to have always known it. The tome truly was Sokhani, and she had been made whole. No longer tethering to those she would touch, and no longer observing others make choices in her own fate driven world, Sokhani walked her own pathway of stars, leading those who followed alongside her rather than behind. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | And, yet, even with her happy resolution, a voice called out to her to create one final blockade. A deep voice, that of a brooding, yet worn man of large body. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | "That's a good look." | ||
+ | <br /> | ||
+ | <br /> | ||
+ | The voice spoke in Xaelic tongue, though all could understand it. As soon as it appeared, it was gone as if it were never present to begin with. Khudus' voice had congratulated Sokhani's mastery of soul, even if he should be dead. Another mystery to be solved, yet not just yet. Sokhani's starlit pathway walks another direction, though all paths meet in the middle. All paths meet Khudus once again, though she knows not when. All paths will find the departed, as much as she does not wish to. | ||
+ | <br /> | ||
+ | <br /> | ||
+ | "Every serpent must shed its scales and move onward, and I will never stop moving forward." | ||
+ | <br /> | ||
+ | <br /> | ||
+ | Eyes now close, and the sun finally comes to an end. All paths are taken by the one who chases stars, fully of her own will and merit. | ||
+ | <br /> | ||
+ | <br /> | ||
</div> | </div> | ||
+ | |} | ||
+ | |||
+ | <!-- STORY 7 --> | ||
+ | {| class="mw-collapsible mw-collapsed wikitable" width="50%" border="0" style="margin:0.5em auto; text-align: left;" | ||
+ | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/zK2JK2ubHgw A Cry for Help, and So She Must Listen]</b></div> | ||
+ | |- | ||
+ | |- | ||
+ | | <div style="font-family:Georgia; font-size:12px;"> | ||
+ | |||
+ | "Every serpent must shed its scales and move onward, and I will never stop movin--" | ||
+ | |||
+ | A star suddenly screams, tears rolling down a woman's face as if she couldn't stand it. | ||
+ | |||
+ | "Seeking power, I killed my little sister..." It cries out, the wailing mantra of another who was Sokhani, and yet very much not her. This voice would never cease its call. Its first begging cry for help hit Sokhani as if a bullet fired from a Garlean musket, its shot fired as soon as Sokhani was about to rest a hand upon her new student's shoulder. Gyeil, a new inductee to the Breaking Fist, was unfortunately subjected to a viper's bite in mind just as the call went out. | ||
+ | |||
+ | Training Gyeil amidst the screaming cries of agony of another present was done, but Sokhani's mind did feel its wear. Nights were filled with frights, her mind unable to avoid watching the star that had killed her only sister. How had it come to this? What happened? Sokhani had begun to poor over the knowledge Otreaux gave her, and soon did she locate the answer. She was a probability that was based on "zero", but the inclusion of the timeless book made it into "one." No other Sokhani within any timeline could receive this change. What if another Sokhani ''needed'' this as well? What is possible with alternate presents when one is a being above normal probability? Does she use her knowledge to leave well enough alone, or will the sting finally get to her? | ||
+ | |||
+ | It was here that the next journey did begin. | ||
+ | |||
+ | <!-- STORY 7-1 --> | ||
+ | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
+ | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[https://youtu.be/lGrdlrqeUng The First Step]</b></div> | ||
+ | |- | ||
+ | |- | ||
+ | | <div style="font-family:Georgia; font-size:12px;"> | ||
+ | |||
+ | After Gyeil's first moon of training had been completed, and much preparation and fretting, Sokhani had begun to speak to those she could trust. Specifically looking for those who knew of ways to resolve such strange, aetherial questions, Sokhani thought of two others: Azazelle, an Astrologian of great merit, and Cirina of the Malqir tribe. Sokhani chose the latter, though not without great reason. She'd known Cirina for a great period of time, and her trust for the woman was absolute. Now there was only the case of how and when to assist the crying star. | ||
+ | |||
+ | Sokhani's efforts soon bore fruit as she began to rummage through her banks of knowledge. There were theories brewing in Sokhani's mind, and mayhaps she could use these to properly insert herself through to another present. The issue would be altering this present's probability to allow her to appear in it, and so then the question of how began yet again. Cirina proposed a solid idea: to write the book a second time entirely from the memories she had of its contents. Due to the book becoming her very nature, she was capable of recreating its words, though she'd have to purchase the leather binding, the pages, and glue for it all. While the tome did not need to be exactly the same, it did need to appear foreign enough to demand interest. | ||
+ | |||
+ | With Sokhani's attention to detail, even if it was unneeded, she faithfully recreated the tome and once again visits Cirina within her yurt. The two had conjured up a plan to utilize a significant amount of earth crystals to supplement Sokhani's ability to view her own timelines. With enough aether, the Earthen Serpent might be capable of doing far more than just observing stars, she might be capable of placing items or interacting with the scenery. While there was delay in arriving at this point due to an issue with Cirina's health, they did come to it with only seconds to spare. | ||
+ | |||
+ | Should the two of them have been any later, they would have seen the end of a pathway. The Sokhani who had killed her sister was soon to jump from a cliff to pay for her crime, but instead, Sokhani and Cirina within the proper timeline had used the power of aether born of crystals to send her a message. The book of blackened leather and Ishgardian paper was sent through to another present, though with no small amount of effort and weariness from the two who did so. | ||
+ | |||
+ | The wailing Sokhani plucked the book from the rocks she was to fall from, and she set about reading it. While Sokhani herself hadn't been observing the star, this one did everything it could to study what the pages contained. She learned of the ways to twist time backward, just as Sokhani in this present tried to do, and using the theory of rearranging a timeline did she continue forward on the path to ruin. This controlled danger could at least be interfered with, and this plan was what the entire foundation of helping the woman was built upon. | ||
+ | |||
+ | --To Be Continued-- | ||
+ | |} | ||
+ | |||
+ | <!-- STORY 7-2 --> | ||
+ | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
+ | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>One Thousand Lives of Pain</b></div> | ||
+ | |- | ||
+ | |- | ||
+ | | <div style="font-family:Georgia; font-size:12px;"> | ||
+ | |||
+ | Event coming soon! | ||
+ | |||
+ | |} | ||
+ | |||
|} | |} | ||
=Interactions= | =Interactions= | ||
+ | <!-- INTERACTIONS HEADER --> | ||
<h3><span class="mw-headline" id="General"><div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''I N T E R A C T I O N S'''</center></div></span></h3> | <h3><span class="mw-headline" id="General"><div style="padding:10px 0px;letter-spacing:0.2em;background: #512000;font-size:16px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''I N T E R A C T I O N S'''</center></div></span></h3> | ||
<center> | <center> | ||
+ | |||
+ | <!-- INTERACTION ICONS --> | ||
{| style="border-spacing: 2px; border: 1px solid darkgray; background: white; margin-top: 10px; margin-bottom: 10px" | {| style="border-spacing: 2px; border: 1px solid darkgray; background: white; margin-top: 10px; margin-bottom: 10px" | ||
|- | |- | ||
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</center> | </center> | ||
+ | <!-- NPC TABLES --> | ||
<table style="position:center;" width="100%"> | <table style="position:center;" width="100%"> | ||
<tr><td style="vertical-align: top;width:50%;padding-right:10px;"> | <tr><td style="vertical-align: top;width:50%;padding-right:10px;"> | ||
− | |||
<div style="padding:6px 0px;letter-spacing:0.2em;background: #512000;font-size:14px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''N O N - P L A Y E R C H A R A C T E R S'''</center></div> | <div style="padding:6px 0px;letter-spacing:0.2em;background: #512000;font-size:14px;color:#FFCBA8;font-family:Georgia;text-shadow: 0px 0px 3px #6d3e8a;"><center>'''N O N - P L A Y E R C H A R A C T E R S'''</center></div> | ||
{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
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|- | |- | ||
| <div style="font-family:Georgia; font-size:12px;"> | | <div style="font-family:Georgia; font-size:12px;"> | ||
− | Kharanai is Sokhani's biological sister, and the closest woman to Sokhani by far. The two shared distance, and possibly one-sided hatred on Sokhani's end until Sokhani left the Malqir Tribe. Kharanai came along with her, even though Sokhani wished the worst for her sister. Over the year and a half they spent alone as vagabonds, and later, eluding Garlean influence, they grew closer and closer. Sokhani and Kharanai might | + | Kharanai is Sokhani's biological sister, and the closest woman to Sokhani by far. The two shared distance, and possibly one-sided hatred on Sokhani's end until Sokhani left the Malqir Tribe. Kharanai came along with her, even though Sokhani wished the worst for her sister. Over the year and a half they spent alone as vagabonds, and later, eluding Garlean influence, they grew closer and closer. Sokhani and Kharanai might act a little too reliant on each other's affection, but at the very least they act their age once necessary. |
<br/> | <br/> | ||
Line 433: | Line 563: | ||
<br/> | <br/> | ||
Sokhani has taken Adalhaid's likeliness into a tattoo of a crimson flame. Just over her heart, it powers all of the fiery wisps that trail towards her arms. Adalhaid's ember may very well be what drives Sokhani's heart to be strong and powerful. Of course, without Adalhaid's own hand, the mark would have no connection. In this line of thought, Sokhani granted the Highlander the honor of adding the color herself.</div> | Sokhani has taken Adalhaid's likeliness into a tattoo of a crimson flame. Just over her heart, it powers all of the fiery wisps that trail towards her arms. Adalhaid's ember may very well be what drives Sokhani's heart to be strong and powerful. Of course, without Adalhaid's own hand, the mark would have no connection. In this line of thought, Sokhani granted the Highlander the honor of adding the color herself.</div> | ||
+ | |} | ||
+ | |||
+ | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
+ | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Yamabuki Oshinokoji]]</b> <b>(</b> <font style="color:#FF0000; font-weight:100" font-size:16px>💘</font> <font style="color:#FF7575; font-weight:100" font-size:16px>💗</font> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <b>)</b> - <b>The Paper Doll</b></div> | ||
+ | |- | ||
+ | |- | ||
+ | |<div style="font-family:Georgia; font-size:12px;">Raen seem to have a track record of impressing Sokhani, as is the case with Yamabuki Oshinokoji. Reservation, modesty, and other staples of Doman cultural behavior are quick to irritate Sokhani, and Yamabuki was quickly stereotyped as a paper doll of whitescales. Meeting Yamabuki through Qunbish may have assisted in breaching Sokhani's dislike of the Raen's cultural mannerisms, and while Sokhani doesn't often admit her follies, she would openly say she misread Yamabuki's personality. | ||
+ | |||
+ | Speaking with Yamabuki holds the odd quality of speaking into a brighter mirror. The woman is nearly a reflection of herself, though burnt white with the Dawn Father's unwanted radiance. The two have a past quite similar, and both were hurt severely by fictitious frailty. What does separate them is how they grew into different roles, how they coped with their pains, and their obvious physical contrasts. Sokhani's mind has come to find Yamabuki beautiful. Since her more open mindset has finally come to bear, Sokhani has taken Yamabuki's hand as a lover, and as one much loved. | ||
+ | |||
+ | Yamabuki also holds a salve to tend to Sokhani's dangerously sharp and gritty scales. This would have gained some favor all on its own should nothing above have occurred. | ||
+ | </div> | ||
|} | |} | ||
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{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Isranne Valreux]]</b> <b>(</b> | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Isranne Valreux]]</b> <b>(</b> <font style="color:#00ccff; font-weight:100" font-size:16px>💗</font> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <font style="color:#A34719; font-weight:100" font-size:16px>⚖</font> <b>)</b> - <b>A Fleeting Blur</b></div> |
|- | |- | ||
|- | |- | ||
| <div style="font-family:Georgia; font-size:12px;"> | | <div style="font-family:Georgia; font-size:12px;"> | ||
− | + | Isranne, the bard and dragoon who once met with Sokhani with a song, is a dear friend. The two have spoken on and off several times, and Sokhani has even begun to find the Wildwood Elezen rather attractive. Isranne was the woman who helped Sokhani find the black tome of Althyk, as well as the clue towards its cipher. Her desire for the woman was once cut off by monogamous marriage, but since times have changed, so too have their proximities. While they share a special sort of relationship now as teacher and student, Sokhani tries her hardest to ensure Isranne is happy and content. The Ishgardian Dragoon who knew song should be afforded only the best in the world, especially after her trials during the finale of the Dragonsong War. | |
+ | |||
+ | While Isranne has technically passed the first test of the Tasrakh Nudarga, she has yet to demonstrate her power to Sokhani. Once this has been done, and surely it will be, Isranne will be gifted the first inking of her training. More ink on the already tattooed Elezen is no harm, in Sokhani's mind.</div> | ||
|} | |} | ||
{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[ | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Gyeil Malqir]]</b> <b>(</b> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <font style="color:#A34719; font-weight:100" font-size:16px>⚖</font> <b>)</b> - <b>Fiery Gale</b></div> |
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− | |<div style="font-family:Georgia; font-size:12px;"> | + | |<div style="font-family:Georgia; font-size:12px;">Gyeil is one of the Malqir of whom Sokhani was introduced to in the Quicksand. She, in truth, has forgotten how their original introduction went, but her rusty memory did not hamper positive development. Since their first impression, which to Sokhani's recollection wasn't the best of things, she has learned that Gyeil is one to drink, and one of martial prowess. Over a few suns of sharing brandy, the two have sparred in a camp and have spoken to their natural combat knowledge. |
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− | + | Sokhani has since begun to teach Gyeil in the ways of the Tasrakh Nudarga, the Breaking Fist martial style, as well as the art of unlocking chakra gates. While Sokhani is no master of chakra herself, her natural hold over her own may help Gyeil grow in the ways she wishes. Time will tell, and hopefully time will move Gyeil forth towards the mastery she wishes for. | |
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{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[ | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Sanrai Bayaqud]]</b> <b>(</b> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <b>)</b> - <b>Star Gazer</b></div> |
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− | |<div style="font-family:Georgia; font-size:12px;"> | + | |<div style="font-family:Georgia; font-size:12px;">Definitely coming soon, not never.</div> |
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{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Cirina Malqir]]</b> <b>(</b> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <b>)</b> - <b>Of Silver Arcanima</b></div> | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Cirina Malqir]]</b> <b>(</b> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <b>)</b> - <b>Of Silver Arcanima</b></div> | ||
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{| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | {| class="mw-collapsible mw-collapsed wikitable" width="100%" border="0" style="vertical-align: middle; text-align: left;" | ||
− | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[ | + | ! <div style="font-family:Georgia; font-size:14px; font-variant:small-caps;"><b>[[Yul Dotharl]]</b> <b>(</b> <font style="color:#47B247; font-weight:100" font-size:16px>🌟</font> <b>)</b> - <b>The Red Wolf</b></div> |
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− | |<div style="font-family:Georgia; font-size:12px;"> | + | |<div style="font-family:Georgia; font-size:12px;">One day Yul will stop getting into trouble.</div> |
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Sokhani and Kharanai's Song and Battle Theme: [https://www.youtube.com/watch?v=H5Y9-V6oyAw Mai Hime - Mezame]<br/> | Sokhani and Kharanai's Song and Battle Theme: [https://www.youtube.com/watch?v=H5Y9-V6oyAw Mai Hime - Mezame]<br/> | ||
The Stance of Snake Venom, the Mogoi Khor: [https://youtu.be/0ugrnb330Fo Monster Hunter Frontier G9 - Berserk Laviente (ラヴィエンテ猛狂期) Final Phase]<br/> | The Stance of Snake Venom, the Mogoi Khor: [https://youtu.be/0ugrnb330Fo Monster Hunter Frontier G9 - Berserk Laviente (ラヴィエンテ猛狂期) Final Phase]<br/> | ||
+ | The Art of Breaking, the Tasrakh Nudarga: [https://youtu.be/khVR1Xj0ajM Vindictus - Meer]<br/> | ||
+ | The Woman Who Chases the Future, and Those Who Follow: [https://www.youtube.com/watch?v=hG_EZM4VJL8 Hammock - Before You Float Away into Nothing]<br/> | ||
</div> | </div> | ||
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Image: Sokhani_The_Earthen_Serpent_2.png | Image: Sokhani_The_Earthen_Serpent_2.png | ||
Image: Sokhani_and_the_Stars.png | Image: Sokhani_and_the_Stars.png | ||
+ | Image: Sokhani_Gyeil_Heleric_NightSkyUldah.png | ||
+ | Image: Sokhani_Sanrai_TheMoonUpHigh.png | ||
</gallery><br/></div> | </gallery><br/></div> | ||
Latest revision as of 02:27, 22 July 2017
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[edit]
READER BEWARE
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